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Brand New PRS McCarty 594 in black gold #0275662

Decoding the title..
PRS – Mr Paul Reed Smith, the CEO and designer of most PRS guitars.
McCarty 594 – the model (see more info below)
Black gold – that’s just the name PRS give to this colour
Pattern Vintage – refers to the particular shape of the neck
#0275662 – that’s just the serial number so we know specifically which individual guitar this is.

Photo’s: More detailed photos are available on our ebay store here: https://www.ebay.co.uk/itm/303209474612

Summary (Chris says..):
Wow, what a beauty!! Sadly my photographic skills can’t do this guitar justice, it’s a real stunner. Being 100% honest I personally think PRS are excellent value. Every single aspect of this guitar seems to have been precision engineered and well thought out right down to the screws that hold the back plate in. We love servicing these guitars too because they are such a joy to work on. Truly solidly built to last (My personal guitar is a PRS Custom 22 from 2005 and it still feels like new). Tone is rich, yet powerful with bags of sustain. Tuning stability is great and by great I mean way better than other mahogany bodied USA made guitars! The 5 way switch gives you instant access to a wealth of tone – from classic funky American single coil tones, to classic American fat seering humbucking tones. Every single member of Guitar Mania currently has at least one PRS guitar, some have sevreal. Just about every member of staff that has ever worked at Guitar Mania has owned a PRS too – as soon as you play one you’ll want one, and there’s so many at so many diferent price points that we’re sure there’s one that will suit you.

More info from PRS:
The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet singlecoil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever. A few key specifications that contribute to the McCarty 594’s tone and feel are: A 24.594” scale length, just slightly longer than 24.5” and where the model gets its name.58/15 LT pickups. LT, meaning low turns, which give the guitar a warm, clear tone.2 volume and 2 tone controls positioned so players can roll off both volume knobs at the same time.The added versatility of push/pull coil taps for each pickup for more tonal optionsA Pattern Vintage neck carve, which shares the same width measurements as PRS’s Pattern neck but is slightly thicker front to back and features an asymmetrical carve with a little less meat on the treble side and a little more meat on the bass side of the neck.Tweaked Phase III tuners have an added set screw that pulls the tuner’s gear and worm together (while “locking” over the worm to prevent slipping) to promote tone transfer from the string directly into the guitar with as little energy as possible being detracted. (The tuner functions identically to standard Phase III tuners for re-stringing. Set screws must NOT be adjusted outside of the PRS factory. Making any adjustments to this feature may cause the tuner to stop functioning properly.) “The 594 is the best new guitar I’ve played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can’t get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting.” – John Mayer
“I think a lot of people know PRS as a company that is looking to history, innovating, and improving all at the same time. The McCarty 594 is a great example of that culture. I believe it to be a great musical instrument… quality, playability and tone. It is also, as the ad says, subtly very different. When we were developing the 594, we examined everything: the scale length, the tuners, the bridge materials, the nut material, the pickups, the neck shape…… every piece of this instrument was designed to be exactly what we thought it needed to be to add up to the best instrument we could make. The final guitar, in my experience, is more than the sum of its parts. My hope is it is a source of joy and real musicality for everyone who picks one up. So far, it seems to be doing its job in that regard” – Paul Reed Smith

Shipping Weight10 kg
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